Posts in Film
NFAND CODA | Team Malizia
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Greta Thunberg is traveling in an emission-free high-speed sailboat across the Atlantic Ocean while the tragedy of the burning Amazon rainforest unfolds.

She is coming to North and South America to speak at forums like the United Nations Climate Action Summit in New York and COPS25 in Santiago, Chile. 

Her uncompromising journey must stand as one the bravest and kindest acts of leadership that we know of today. With her on board, four brave souls-her father, Svante Thunberg, filmmaker Nathan Grossman, Skipper Boris Herrmann, and Team Founder Pierre Casiraghi.

The ocean knows


Engine clean



And purity


“Safe travels queen”



Sail fast and steady

in the boundless ocean

Ahead you sail

With five brave souls


Around the globe glides the sly one.

The song “Manta Ray” from Race to Extinction |

Team Malizia | Read skipper’s statement

CODA XVIII A Sea of Tears and a Revolution Part II, Daughters and Sons
July 2019 from across the net

July 2019 from across the net

PART II-Daughters and Sons

(A Sea of Tears and a Revolution | Part One: Citizen)  | Dedicated to artists, asylum seekers all across the globe, and Puerto Rico

 Daughters and sons of la diaspora come in all forms. It is perhaps reason number one I love New York City. The place where we, “the others,” from all corners of the world and types of backgrounds, have a chance to meet as equals. I really appreciate that, the essence of the lesson.

 On June 4, 2019 | Democracy Now! featured Damning Canadian Inquiry Calls the Murder and Disappearance of Indigenous Women & Girls Genocide. The words of First Nations jurist in British Columbia, serving as Chief Commissioner for the National Inquiry into Missing and Murdered Indigenous Women and Girls, Marion Buller apply also to the entire Northern, Central, Southern, American Continent.

 “…The genocide that has occurred in Canada has been over generations of people—generations of human rights and indigenous rights violations; deliberate underfunding of services and programs to indigenous people; forcibly removing children from their families, children being removed and never being seen again by their own families, by their own communities; forced sterilization of women and girls. The list goes on. But from our perspective and from the legal definition, genocide can be over a long period of time of deliberate state action, that looks different from what we commonly think of as genocide. But it is genocide, legally, nonetheless.” 

 The admittance of genocide and the call-to-action for reparations for women and girls by the Canadian government resonated with me. 

 Lately, a lot has been written about violence against women in Puerto Rico and the women leading the fight. Since the chat, the people now know the aftermath of Hurricane María is a certifiable matter of crimes against humanity of holocaust proportions. 

 I thought about Edwin Miranda’s words, I saw the future it’s so wonderful, there are no Puerto Ricans.

 If it's true for Canada, then same awful truths and precepts as in the United States of conquest, genocide, rape, slavery, empire building, torture, subjugation, building upon sadness the road ahead for more by exploitation apply to us, la (s) diaspora (s). 

 “And so it has come to pass, it is indeed where we hang, this very premise falls on all of us to look at. It reflects the worst type of shine, the one we have never wanted to look at and the one that might just bring us down, the one where brother to brother kills himself and the one where the mighty nation kills us all out of fear from being disappeared.”

James Baldwin

I've been reading a lot, listening to a lot of radio, and watching a lot of videos from and about Puerto Rico. I picked up some stuff for your reference:

Alvin R Couto de Jesus | FB

Apoyemos a que se los 78 municipios de Puerto Rico logren convocar asambleas de pueblo. | Let's support Puerto Rico and in achieving town assemblies in all 78 municipalities.

This guy is something and posting really interesting commentary. You can follow his feed if you are on FB.

AUGUST 9, 2019 | WNYC On the Media
In Puerto Rico, What Comes Next?

By Alana Casanova-Burgess

This is a great piece that captures the past month beautifully-really beautifully.

AUGUST 9, 2019 | Shondaland

Meet the Women Leading Puerto Rico's Feminist Revolution

By Sandra Guzmán

I'm biased about Sandra because she's one of my closest sisters. She's fierce, a truthteller, and she's been busy writing some really important pieces. They are all included in this list.

9 DE AGOSTO DE 2019 | El País

La trama feminista y queer en Puerto Rico

Por Luci Cavallero y Verónica Gago

Watch all three of Karla Claudio Betancourt’s shorts. Tremendo artículo.


La Kakistocracia PNP vs. #WanditaLaMala

Nación Chancleta

Very good and important show to listen. In Spanish. Walo is brilliant. He has the dark humor truthteller shtick down in true Puerto Rican slang-Class A. This particular show is a must-listen. You can follow him on FB, YouTube, iHeartRadio.

AUGUST 7, 2019 | Dissent Magazine

Puerto Rico Remade

By Frances Negrón-Muntaner

Frances is another fierce mind and a sister. She is amazing. Balanced, tempered, a soul of profound understanding.


Toni Morrison was America's conscience, one that's needed more than ever

By Sandra Guzman

6 DE AGOSTO DE 2019 | CNN Español

Este Otro Puerto Rico Parte I

Por Silverio Pérez

6 DE AGOSTO DE 2019 | CNN Español

Este otro Puerto Rico (Segunda Parte)

Por Silverio Pérez

Silverio Peréz is a genius and a national glory-a Class-A wordsmith. Follow him on FB. These two stories are important.

AUGUST 5, 2019 | Bustle

Women & Femmes Leading The Puerto Rico Protests On Their "Permanent Revolution"

By Raquel Reichard


AUGUST 5, 2019 | LatinoUSA

Puerto Rico Is A Presidential Issue That Must Be Addressed


AUGUST 5, 2019 | NYT

The Puerto Rico Governor Started 3 Days Ago. But His Future Is Already in Doubt.

By Edmy Ayala and Patricia Mazzei

The New York Times has covered really nicely. This is one of them pieces I liked. Other follow down below.

AUGUST 5, 2019 | WNYC The Takeaway Host Tanzina Vega

The Political Future of Puerto Rico

with guests Michael Deibert and Yarimar Bonilla

AUGUST 3, 2019 | Truthout

Rejecting Politics of Fear, Marginalized Puerto Ricans Led the Uprising

By Oscar Oliver-Didier

AUGUST 3, 2019 | NYT

After Protests, Will Real Change Come to Puerto Rico?

By Frances Robles and Patricia Mazzei

AUGUST 2, 2019 | LatinoUSA - podcast

Why Ricky Resigned

AUGUST 2, 2019 | MTV

Meet the Women Who Toppled Puerto Rico’s Governor

By Yarimar Bonilla

AGOSTO 2, 2019 | 80Grados

Verano 2019: balances y perspectivas

Por Rafael Bernabe y Manuel Rodríguez Banchs

JULY 31, 2019 | WNYC The Takeaway Host Tanzina Vega

How the Political Crisis in Puerto Rico is Unifying the Puerto Rican Diaspora

with guests Caridad De La Luz, Andrew Padilla, and Samy Nemir Olivares

Thank you for Tanzina Vega, that's all I have to say.

JULY 30, 2019 | The Hill

After Rosselló, Puerto Rico needs democracy — not a 'recovery czar’

By Ariadna M. Godreau-Aubert

JULY 29, 2019 | Washington Post

What’s next for Puerto Rico? A reckoning with its colonial status.

By Julio Ricardo Varela

JULY 27, 2019 | NYT 

Did Puerto Rican Police Go Too Far During Protests? What the Video Shows.

By Evan Hill and Ainara Tiefenthäler

JULY 26, 2019 | NYT

By Charo Henríquez

Cantar, bucear, perrear y rezar: las protestas creativas en Puerto Rico

JULY 25, 2019 | WNYC The Takeaway Host Tanzina Vega

'The People Have Spoken': Puerto Rico Gov. Ricardo Rosselló Resigns

with guests David Begnaud, Frances Negrón-Muntaner, Bianca Padró Ocasio

JULY 23, 2019 | BBC

Massive protests held in Puerto Rico after governor refuses to step down


(BCC’s full list of stories on the island)

JULY 20, 2019 | CNN

Women in Puerto Rico know all too well why Rossello must resign

By Sandra Guzman

JULY 19, 2019 | Counterpunch

It Was Never Just About the Chat: Ruminations on a Puerto Rican Revolution.



Miguel is super witty and nails the description of some very fine and important points.

JULY 18, 2019 | NYT

Puerto Ricans in Protests Say They’ve Had Enough

By Patricia Mazzei and Frances Robles

JULY  18, 2019 | Reuters

More Puerto Rico protests planned as governor resists calls to resign

JULY 13, 2019 | Mother Jones

As Puerto Rico’s Governor Steps Down, a Protest Organizer Is Determined to Not Let “The People’s Fire Burn Out.”

By Justine Agrelo

JULIO 28, 2019 | 80 Grados

Por José Nicolás Medina Fuentes

Congreso del pueblo y asamblea constitucional convocada desde la sociedad civil

80Grados is fierce. I love this piece so much. Una belleza. It captures some essential sentiments that should be talked about more. Some commentators point out they missed including the freedom fighters from el PIP and previous eras, but nonetheless, the piece offers some important anchors. And it is beautifully written in Spanish.

CODA XVI: LLP (from April 21, 2019)
“After María” description.

“After María” description.

(First shared on private list serve on April 21, 2019) CODAS are becoming my thing. I’m in a new rhythm for sure. Go back to my last share, CODA XV for reference. I’m swimming new waves, and I don’t want to exploit myself, as I know how to do. Ja! I will be around but will come in-and-out with less rigidity on Sundays. I’m gonna' take it easy and steady and change some things. I don’t want to get dark on the state of the world on Easter Sunday, so I leave with a follow up on After María.

Playing in Shorts: No Short Cuts at TFF After Maria premieres next Sunday, April 28, 2019. Visit the page for times and screenings.

Nadia Hallgren, Lauren Cioffi and I met in a natural way. I’m still piecing my words on what the year 2018 delivered. I can honestly say I wanted so much for this story to be told. Several hurdles later the chance just came to be. And, this is just a peek of a much larger tentacle circumstance. For now, I’m grateful for living the experience with Nadia and Cioffi. Grateful too for the “community organizer” credit. And, thankful for Glenda, Kenia, and Sheila. They remain brave here in the City.

Jesus Lives.


By Chaliana

By Chaliana

CODA VX: A curveball and "After Maria" (from March 31, 2019)
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(First published Sunday, March 31, 2019) My schedule and usual rhythm and flow are off since the year began pretty much because my mother has been struggling with her health. I don’t want to get into the details of it all but it’s serious enough and things are different. The curveball has thrown me off a bit, though I appreciate that it’s giving me time to reflect. And, I thought back to mom’s in-and-out of hospital track since Hurricane María and it’s been about 10 times, a couple of stays for over a month each. I wonder...that brings me to, “After Maria.”

“After Maria” is a short doc by the amazing Nadia Hallgren that will premiere at Tribeca Film Festival on April 28. Here her IG post: Excited to announce my new documentary short @tribecafilmfestival 🇵🇷After Maria 🇵🇷 world premiere on 4/28! Watch what happens when 3 Puerto Rican mothers who are forced to leave the island after hurricane Maria meet in a FEMA hotel in the Bronx. They bond like family and seek stability in their new life as forces try to pull them apart. Produced by @lacioffi Executive producer @rogerrosswilliams edited by @helekearns @jarthster consulting editor @jeantsien @salacuse

I can’t succinctly explain it all, but 2018 was an adventure and the making of this documentary was very much a part of it. So much happened after Maria it’s hard to capture it all, but this work is a tiny peek into what happened after the hurricane to displaced families in New York. Many of them still displaced and living under the NYC Department of Homeless Services temporary shelter housing. Stay tuned for more, because more is coming for “After Maria.”

My last share, CODA XIV the fallen men, was dark and about the future of the University of Puerto Rico. One of the articles I shared was a fiction piece meant to be a worst-case-scenario essay. The worst case scenario is that if the Middle States Commission on Higher Education “flunks” the UPR, then things can turn. I read more and more and see this whole UPR debacle as one of those institutions that could or just might eventually erode. Being that the UPR is an integral part of the livelihood of the island, it is worth any one’s time to read about what is going on. But, the fact remains that between La Junta’s draconian cuts, political pundits, and poor administration, the future of the university is indeed uncertain, and that is a terribly sad thing.

The world as a whole is drowning because of so much ignorance. There’s money for war but not much else…and it shows.

Free Chelsea Manning

Free Papa Renty

Be good to people,

Episode 109 | Alberto Ferreras, writer, director, creator
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Alberto is amazing, loving, bountiful, exemplary, relatable, tantalizing, and original. He is. There’s this something to his creative works that just leave you smiling and wondering about him. From B as in Beauty, his novel about a fat girl who turns call girl at night to help her with self-confidence, to the beloved HBO Latino series HABLA, Alberto is full of truisms and classy creativity.

I could talk with Alberto for hours non-stop. Our conversation here hits almost an hour but we had to cover the subjects in depth. There was no other way with him. We just go fluidly through past and present projects, the process of writing, the state of the world as it relates to the creative fields, and these subjects matter to us both.

He really is a genius. His ideas, his vision of bringing moral tales to life. He has a new film project in series format called, Lessons. We delve into Lessons. Brilliant offerings for self-reflection in less than 5-minutes. With the project, he’s learning about narrative form and presenting short-films / short scenes about issues that matter in life - success, lovers, a mother’s love, bitterness, confidentiality. And he gave me a lesson in Premiere Adobe suite in sound editing. Lessons, lessons, lessons...

Alberto’ The Newyorkster, is an incredible story/podcast. We talked about that too and share on our need to explore the expansiveness of Latino, though I’m leaning towards referencing it as Pan-American. There’s no resolution to this other than, talk, talk.

Alberto darling, thank you.

Always from the heart.


Episode 108 | Modesto Lacén, theater, film, television, and radio actor
Modesto Lacén, hunk

Modesto Lacén, hunk

Modesto Lacén is one of Puerto Rico’s most sought after actors and a native son of the town of Loiza, the island’s Afro-Caribbean soul center. He makes Loiza and Puerto Rico proud for his talent, professionalism and kind demeanor.

Something must have happened in the celestial realm that chased Modesto down when he decided to act for a living, for he’s had nothing but plentiful roles. Roles of men that have passed on and have left a mark on Puerto Rico and Latin history from Clemente to Don Pedro Knight, in multiple performance formats, Modesto keeps at it with eloquence and commitment.

We go at it in this one-on-one in Spanish and sincere Puerto Rican cadence. 

Aun no he conocido a una sola persona que me diga que Modesto no es modesto. Pues sencillamente lo es…

Personalmente solo conozco a un hombre buena gente, profesional, trabajador y que le ha tocado mucha providencia, que siga así. En esta conversación hablamos como dos buenos amigos y colegas de la industria cultural a la que ambos pertenecemos.

Es linda linda. Gracias Modesto.

Insta @modesto_lacen


Episode 99 | Manny Perez, actor

Manny Pérez es un Tigre. At craft for 28-years, Manny is one of the few Latino actors in Hollywood who has etched a place for himself hard-earned consistently for twenty, kinda’ under-the-radar, but very much there. We all know he’s there. I’ve seen ten of his movies counting his latest one, VENENO | Primera Caída: El Relámpago de Jack, and I loved it. Es linda. 

Directed by Tabaré Blanchard VENENO is inspired by the life of Dominican wrestling champ and idol Jack Veneno. Distributed in the U.S. by Spanglish Films, VENENO opens in select cities: New York City; New Jersey; Providence, Rhode Island; Massachusetts: Lawrence, Boston; Pennsylvania: Reading, Philadelphia; Atlanta, Georgia; Florida: Orlando, Tampa, and, Miami on Friday 13 April. 

“Sounds from the City” I call this talk. We had connectivity issues. Holding weekly conversations has its challenges when it comes to adapting to weak remote recording situations. A strange bounce-off in cyber time sound or something made it so that he heard static, but I didn’t until edit time so you’ll hear this slight thing. At some point, just as he was getting to the crux of his story, a girl is heard crying in the background, and with a sense of humor he called out, “I’m in The Heights baby, I’m in The Heights.” But we carried on ‘cause it’s all good. I appreciate the talking time and his candidness, he's real, de la mata

See VENENO. Manny and the rest of the cast are fabulous. I for one, admire him immensely for his years of dedication, focus, and resolve to be a man of art.


Episode 97 | Arí Maniel Cruz, filmmaker
Coming in April 2018

Coming in April 2018

Ari Maniel Cruz is presently one of Puerto Rico’s most sought-after filmmakers. He spoke to me from Mexico, where he is working on the massive Netflix-Telemundo-Caracol series project inspired by Reggaeton superstar, Nicky Jam. We go at in Spanish and in true Puerto Rican cadence.

Ari Maniel Cruz y yo hablamos sobre Under Your Feet, Antes que cante el gallo, la tribu, ¿Quien eres tu?, Mexico, Nicky Jam, y Puerto Rico.

Actualmente en Mexico, Ari es el show-runner del mega proyecto Netfilx-Telemundo-Caracol e inspirada en la vida de la super-estrella del reggaeton, Nicky Jam. A través de la historia de Nicky Jam, se cuenta una mini-segunda historia, el desarrollo del género.

Muchos personajes del reggaeton envueltos. Ari se llevó un grupo de actores de Puerto Rico a Mexico y no dice nada que no pueda decir sobre el proyecto pero sí comparte lo que considera un gran momento para contar esta historia donde la isla es una pieza clave.

Inspirado también por el trabajo del gran Reverendo Pedro Pietri, una trilogía sobre la diaspora puertorriqueña vendrá de camino.

Su película más reciente, Antes que cante el gallo es bella, y en abril sale, ¿Quien eres tu? Creada por la misma tribu, de la que hablamos en el episodio y que está compuesta por tremendos profesionales de cine y producción. De veras que si.

Live long and propser,


Episode 85 | Carlos Gutierrez, Executive Director Cinema Tropical
8th Annual Cinema Tropical Awards

Probably few people out there like Carlos. Twenty-years of Latin American cinema under his eyes, inside his heart and intellect. Nothing succinct can explain the entire “movement,” because people are not aware of the magnitude of the region’s relentless production work these past two decades. 

Latin American cinema is speaking to us loud and clear. The list of male and female directors make up a lengthy roster of active, daring, intelligent, industrious, and fabulous artists. For the most part, productions get made with meager budgets, but, "the limitation freed the filmmakers," Carlos says, and the wealth of material has not stopped coming and is beyond what anyone imagines it is. 

Public Relations and promotion are one of the most significant challenges facing the film industry, and especially, for the niche that is Latin American cinema. This very topic is subject to further discussion. More to come.

Cinema Tropical is now going on 18-years of championing filmmakers from all over the northern and southern American Continent and celebrating the 8th Annual Cinema Tropical Awards. Here is the 2017 Short List of films.  A new approach did away with the fiction and non-fiction category, listen to the talk to hear why.  Carlos rocks for a lot of reasons, but he is unique in his ability to contextualize the cultural voice of the Latin American and Latino filmmaking industry against the present cultural and political landscape. We don't go into that so much in this talk, but perhaps he will write about it for Cinema's 20th Anniversary. 

Last but not least, this was the year for Dominican cinema, check out Cocote. And, Daniela Vega is on the cover of W Magazine.

I sincerely wish everyone a blessed year 2018. Live long and prosper,


Episode 80 | Frank Marrero, filmmaker, director, media pioneer

IN SPANISH Episode 80 - After the storm no Puerto Rican is the same, at least I’m not. I am me, always deep, intense, reflecting, but something is different. A puzzle gets assembled piece by piece. Big stories are made up of pieces of lore. I realized that with Frank, I’m looking to put together something I’m not sure what it is. I think maybe after memories of what Puerto Rico once was or had. Somewhere in there is my movement at the moment.

Frank is an old-timer of film and television. He was around and working before Univision was Univision, which he was a part of before it all got built up into the empire it is today. Frank worked with Dad in seven television specials. I remember being a kid in his sets and even having a little part in the children’s television special they made. Maybe this year Dad and Frank can have a conversation about it and we can let the thing play in streaming. Just ideas. Like I said, I’m trying to put something together I’m not sure what it is yet. Frank is a part of the aspect of Puerto Rican history I know best, its arts and culture. It is in Spanish. We couldn’t have done it in English but we didn’t. Asi que disfruten de Frank lo que puedan entender.

Luego de María no soy la misma. Creo que ningún puertorriqueño lo es. Algo busco que aún no se que es o algo busco armar que aún no se lo que es pero algo me dice que con Frank comencé a buscar algo nuevo. Veremos. De seguro busco historias. De seguro busco fundamentos para emular el profesionalismo, aprender de los que corren las largas distancias, y razones para ayudar a otros a conocer quienes somos en especial en el campo de arte y cultura que es de lo más que conozco de mi isla. Frank es un ‘viejo lobo de mar’ como escribió Sylvia Rexach. Recuerdo estar en los sets de Frank para las grabaciones de especiales de televisión que hizo con Padre. Siete en total. En fin. Muchos recuerdos de mi país. Mucha música, mucha gente linda.

Y eso. Stay the course.

Resist neo-fascism, white supremacy, stand for DACA, Native Nations, Puerto Rico, call your senators to defend Net Neutrality. That is the last bit of democracy we have left. Black Lives Matter be better today than yesterday.


Episode 79 | Verónica Sanchis Bencomo, Founder Foto Féminas, Photographer

Who can put a price on memories? Pictures are precious for this very reason I suppose. We hold on to moments of moments. It is one of the ways in which we can capture time. In this is the age of citizen journalism and citizen photography, who and what is the real deal? Amateurs and Pros meet at junctures of action and practice. There is so much to see. How it turns out is that most famous images are credited to men photographers. But as photography experts and buffs know, women photographers have also captured history. This is for them...

The article, The Women Who Covered Vietnam by Elizabeth Becker immediately made me think of Verónica Sanchis Bencomo, founder of Foto Féminas, a platform exclusively devoted to showcasing Latin American women photographers. Since its launch, Foto Féminas features one photographer a month. Today, Foto Féminas is a showcase platform and a library. The collection is named after Maria Cristina Orive, a pivotal figure in Latin American photojournalism from Guatemala, who passed away this September. Orive, alongside legendary Argentinian photographer Sara Facio founded La Azotea one of the most respected oldest photography publishing houses in Latin America.

This month’s featured photographer is Gabriela Rivera Lucero. A beast. And I mean wonderful and good. The work is literally beastly, it’s called Bestiario. Check it out. The proposal is not for the faint of heart, but it is real and timely and some of the most exciting work I’ve seen in some time.

Foto Féminas has an important role and we have Veronica thank. The collective voices of these women photographers are telling the story of Latin America with bravery and not a hint of shyness. Fierce.


Episode 51 | Angel Manuel Soto, Filmmaker, La Granja
Episode 51 Angel Manuel Soto.jpg

I struggled to watch Angel Manuel Soto film La Granja (The Farm, Happiness is Hard) not because it was bad, but because it was so good. He had me at minute three. Bravo to him. The film is a scathing socio-political commentary. To me, the consequence of depraved corruption. In this make believe dystopian realm, La Granja’s brazen punch, if you have any humanity in you, is that it’s true. This story takes place in Puerto Rico. The Puerto Rico few want to look at, like Angel says, “It’s not the Puerto Rico you see on postcards.” But it must be looked at. We learn by contrasting the good and the bad, the dark and the light and so on...

Why do we compare the most decadent and repulsive behavior of people to animals? I mean, most animals kill in self-defense or when they’re hungry, not for show. We, the people, also kill in self-defense or if we're hungry, but we also kill for show. Right? And so we’re in a category all of our own as I see it. What is animalistic about us? I’m imagining the side of human behavior that dismembers people without remorse or dismembers people with gusto as if the kill would save their lives. Another way to kill for show is to asphyxiate slowly with passive despotism, torture, oppression, enslavement, austerity, rape, robbery, pillage. These things set the landscape for either ignorance or violence, which turns the knob a little higher each time until it gets to such a point that it turns human reality into a menace. Somehow Angel gets at all this in La Granja without apology.

Angel is warning us but also urging us to take a step back to reconsider all our options, to dialogue with one another because we might just end up there. It looks like we're almost there by the look of things on a global scale. Corrupt and base souls strangling the people left and right, north and south, and east and west. They themselves seemed captured in a twisted sinister mindset that aims to make ignorance and vitriol the only way out, towards their way. The question is, which way is that?

That is what La Granja captures and presents - desperation, decay, oppression, indifference, and death. His poetry of understanding how colonialism plus massive white collar corruption entangled with the American Dream has dismembered a nation that is still alive both on the island and in the diaspora, ese pueblo grande Puertorriquño fuera de la isla.

La Granja doesn't make it easy or pretty on you. It's brave I'd say. But if there’s life, shouldn’t there also be hope? Go for compassion. Free Puerto Rico.