CODA XIII | Alexa Rivera, pianist, composer, bandleader, songwriter (from Feb. 26, 2019)
(First shared via private email 2-24-19) The Jazz Foundation of America (JFA) helped Puerto Rican musicians after Hurricane María since as soon as it happened.
When and how the Jazz Foundation of America and the Baryshnikov Art Center (BAC) partnered, I don't know, but they did and, Alexa Rivera was selected for the BAC artist residency program (fall of 2018). I wrote a little bit about her a few weeks back when the year began - pianist, composer, bandleader, songwriter, and vocalist. Lovely.
I came into the picture through Joseph Petrucelli of JFA. He gave me the opportunity to write about Alexa for "BAC Stories," check it out. That's it today. Live long and prosper, Sol
BAC Story by Soldanela Rivera
January 31, 2019
During the dark and silent nights following the merciless Hurricane María, Alexa Rivera sat down at her piano chair and played. Studying music and playing the piano has been part of her life since childhood.
She comes from a family line of artist players and performers of música jíbara, the Puerto Rican counterpart of American bluegrass and folk music; immersion in folk music and rigorous musical discipline, lovingly imposed on her, did her right. When she was most alone, and the island of Puerto Rico was most alone, the piano did not forsake her. Something about the way time stretched and the sounds of the land echoed compelled her. Out in the streets, she felt an unspoken language of brotherhood, and in the still of the night, HIHEAL was born. It is where Alexa delivers as composer, lyricist, vocalist, and player.
The calm after the storm hung heavy in Puerto Rico, and artists suffered tremendously. There was no work and little connectivity for most everyone. And there, where quiet reigned, Alexa journeyed and visualized a musical healing cycle anchored in the image of a tree with roots, trunk, branches, and lush foliage. The musical compositions Over Me and Under Me frame HIHEAL. The musical story moves clockwise with the melodic tune and lyrics of Jíbaro Anciano (Ancient Folk), the heartbeat of this album, dedicated to her grandfather. She writes down jíbaro anciano in the one o’clock position in the picture of the tree describing the musical journey of HIHEAL. Her grandfather represents her first memory of how she learned to love Puerto Rico, her homeland.
Alexa offers three reasonings about the project’s title. A play on words with the word “hi,” as in a greeting, and inspired by the word “high,” as in altitude. The word “heal” represents recovery. HIHEAL is about healing from a place above the practical world, a space of few words, a space for sound. HIHEAL also references the high heel of a woman’s shoe. Her femininity is cradling her creativity. She is so beautiful her looks may belie her talent and her deep sound. Deep cannot be faked; it is either a part of you or it is not. And Alexa has it. That spark that ignites when she is high in her musings. With her, nothing is gratuitous. There is always a backstory, and the backstory has a backstory, and she feeds them and integrates those mind and heart occurrences into her present sound.
On the second day of her residency at BAC in the Jerome Robbins Theater, Alexa welcomed me with a live concert with sound so vast and deep it brought tears to my eyes. Though very much a musician, Alexa is also a poet and a young weaver of dreams. Her commitment to music is pinned to universal notions of the battle of the self between darkness and light. She has given herself utterly to that notion and has broken free from thinking she has no voice, from feeling trapped within her expressive turf, and has proven yet again that no amount of modern life can substitute for the purity of the piano.
There’s a tune titled If You Want To, and another, Asymmetric, and Here and Now, and Kiss Your Nightmares. Alexa plays horror with love. Her live piano concerto to me ended with Over Me. Her musicality crystallizes maturity, exuding strength from the core melody as she stretched its sounds with her damper's touch.
On this second day of rehearsal she waits for Matt Geraghty (bass) and Ruben Coca (drums). Geraghty talks through some pointers and begins playing before Alexa plays the keys. She waits for the right time and comes in seamlessly on his cords, and it's magical. Geraghty’s entrance is Jeff Beck-like: unapologetic, spatial, expansive, directional. The Jerome Robbins Theater fills to the brim with the high and low chords of improvised classical piano and rock bass tones so steady nothing falls into discord. Vibrations stay together and the drums pace it all forward. Here in New York City, Alexa's HIHEAL reaches a high performing rehearsal trance dedicated to the present. There is purpose in playing each cycle of the album to its maximum. She and Matt are part of a collective that performs for global unity, creativity, and freedom. Artistically, creatively, and personally, Alexa stands at that intersection with her collaborations and explorations. Whoever she brings together meets humanity through music, where music carries them to weaving chords, understanding, patience, and trust. That’s how you HIHEAL; playing to play, to listen, to accept each other as artists, to fall for a melody that thrusts a sound, so you never forget it, because it belongs to the present, until the very end.
Soldanela Rivera has been a professional dancer, actress, choreographer, television host, production coordinator, teaching artist, project captain, documentary researcher, tour manager; a music, theater, and film publicist, a music concert and theater producer, an adjunct lecturer, and a director of communications for a community college in the South Bronx. She has worked in community centers, educational institutions, historic concert halls, museums, parks, prisons, stadiums, sound stages, and large and small theaters. She is a host and producer of the podcast Notes From A Native Daughter (NFAND), a weekly series of raw conversations about arts, culture, and society with figures from the Pan-American experience.